The title refers to the B-plot, where Dee lets Dennis' insults get under her skin and starts scrutinizing her rapper boyfriend Lil' Kevin to figure out if he's mentally handicapped. Arguments for: He lives with his mom, he drinks juice boxes, and he hugs really hard. In the larger Sunny mythology, this episode is important for introducing the idea that the illiterate simpleton Charlie is secretly a musical prodigy, who writes a sexually charged prog-rock song that will figure prominently in the fan-favorite "The Nightman Cometh.
Two of Charlie's funkiest alter-egos pop up in this episode: his "Green Man" mascot, ready to show up the Phillie Phanatic called the "Phrenetic" here to avoid a lawsuit from Major League Baseball ; and his best impression of a country lawyer. It also benefits from a classic flashback device, with everyone in deep, deep trouble before the opening credits, already having to defend themselves before an actual authority figure. With a merchandising convention in town, everyone starts brainstorming products that could both promote the bar and make them rich: mittens for noisy cats, a toy shotgun or "shot-gun" that dispenses alcohol, a bath towel with a drawing of a butt on one side and an enormous cock on the other.
They steal ideas, sandbag each other, and try to win over their reluctant attorney by offering him rolls in the hay with big-breasted prostitutes each chestier than the last. As hapless as this group may be, never let it be said that they don't make an effort. Frank, Charlie, Mac, and Dennis break in on Dee's therapy session in order to get her psychoanalyst to decide who should've done the dishes after the previous night's dinner. The doc played by The State 's Kerri Kinney-Silver consults with each of them separately, and comes to some unexpected conclusions — including reassuring Charlie that he's "perfectly normal," so long as he's comfortable in his own skin.
His takeaway: figure out a way to get more skin. The unusual structure sets this episode apart, as does the way it thoroughly picks apart who these people really are and how they've warped each other. Frank's commitment to inappropriateness hits its limit when he becomes the new manager of children's beauty pageant, taking over for a convicted pedophile. He turns to his co-workers for help, and before long, the gang is designing unintentionally suggestive musical numbers for the kids.
Meanwhile, Frank — in pasty make-up — is delivering stage banter along the lines of, "Which one of these talented entertainers who I am not attracted to at all will be the winner? Back in Season Six, the episode "Dee Reynolds: Shaping America's Youth" featured a long sequence where Dee shows the gang's sloppy, possibly racist home-movie version of Lethal Weapon 5 to high-schoolers.
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Three years later, IASIP devoted an entire episode to the sequel of the sequel, seen in snippets as Mac and Dennis screen footage for potential investors. There's a high level of conceptual difficulty going on here, with viewers asked to imagine what was happening behind the scenes that made the finished film so cruddy. Some of it can be blamed on its creators' usual hang-ups — like Mac's inability to grasp why putting on blackface to imitate Danny Glover might be, you know, incredibly offensive.
But mostly, it's exactly the nonsensical action picture you'd expect from a couple of dudes raised on Hollywood blockbusters. A show like Sunny is too raw to be Emmy-bait, but that didn't stop its creators from trying to dissect their own place in the television hierarchy, asking openly why some "bars" are popular while Paddy's is considered more fringe. In one of the most meta episodes, the gang checks out the competition to figure out how they can impress the Restaurant Bar Association.see
Fat Mac: Rob McElhenney Goes Into Graphic Detail About 'Sunny' Weight Gain
The answers: they need better lighting, some "will they or won't they? The result is a merciless critique of the bland, faux-edgy entertainment that appeals to the masses — and wins awards. Rob McElhenny has offered several explanations for why he decided to gain a bunch of weight before his show's seventh season, but the simplest reason is the one that makes the most sense: Fat Mac is hilarious.
For the better part of 10 episodes, the character's added bulk is barely mentioned. Then, almost out of the blue, "How Mac Got Fat" presents an extended flashback — mostly salvaged from an unaired sixth season episode — that recalls a time when Paddy's became successful and the gang all picked up strange hobbies and appetites.
Though not as overtly self-referential as some episodes, this overdue origin story examines how complacency sets in after the underdogs actually win. Some IASIP episodes unpack the very essence of the series, while others just set the wheels of the shenanigans in motion and watch them spin madly out of control. Dennis has dyed his hair jet black. Things aren't grooving as they used to. The next day, Dee visits Mac and presents a plan for them to be able to do less work and enjoy their newfound money: hire more staff.
Mac thinks of the replacements as Avatars from the movie Avatar. On another busy night at Paddy's, Charlie is the only person manning the bar. When a distressed Dennis enters, sad about his botched chemical peel, the two go in the back office to get high.
It's Always Sunny in Philadelphia S07 E10 How Mac Got Fat - video dailymotion
Later, Dee and Frank enter an empty bar and get high with them. Six weeks later, Mac enters the bar and announced that he now weighs lbs and can hire his Avatar. The rest of the gang laughs at him because they dropped the Avatar plan six weeks ago. They mock him for being fat and he storms out. Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!
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